Ca. 1910 exceptional, large, and opulent liturgical tabernacle made of gilt silver and cloisonné enamel by a famous Moscow silversmith Dmitry Shelaputin. The tabernacle is made in a shape of an Orthodox church with an onion dome and four turrets surmounted by enameled crosses.  The front doors are engraved with an image of the Annunciation of the Virgin Mary. The side panels depict Christ as a Prisoner, Prayer of the Cup (the Agony in the Garden), and Christ in Majesty. 

The tabernacle is fully hallmarked throughout and is preserved in superb original condition. 

19th-century French cruciform  reliquary monstrance made of ebony wood decorated with solid silver finials and rays of light housing a glass-fronted silver theca with particles from the wood from the True Cross of Jesus Christ. The relics are displayed in a  glass-fronted removable theca placed in the center of the reliquary and identified in Latin as Verae Crucis ([from the] True Cross). The theca is secured by an undisturbed seal of red Spanish wax with an imprint of a coat of arms of Fr. Giovanni Pietro Augustoni O.E.S.A. (†1839), Titular Bishop of Porphyreon and and Sacristan of the Apostolic Palace (1829–1839). It comes with an original matching authetics documents issued and signed by Fr. Augustoni in 1838. The reliquary is housed in its original fitted leather-clad case.

An opulent cruciform reliquary monstrance profusely decorated with filligree silver housing extremely large particles from the wood from the True Cross of Jesus Christ. The relics are in the cruciform shape and identified in Latin in red ink on a manuscript cedula label as Lingo SS-mae Crucis D.N.J.C. (Wood from the Most Holy Cross of Our Lord Jesus Christ).  On the back, the reliquary is secured by three undisturbed seals of red Spanish wax with clear imprints of a coat of Monsignor Luigi Del Drago, the Archpriest of the Basilica di Santa Maria Maggiore in Rome (1839-1845). Comes housed in the perfectly preserved original tooled leather-clad silk-lined case of issue.

A large church icon depicting the crucified Christ flanked by the Virgin Mary, St. John the Apostle, St. Mary Magdalene, and St. Longinus the Centurion. In the corners are depicted the Sun and the Moon, behind the Cross are the walls of Jerusalem, and below is the Adam's head. The enameled plaque, just above Christ’s head, reads "The Crucifixion of Our Lord." The abbreviated inscriptions around Christ's head read: "Jesus Christ, King of Glory and Son of God." The heavy parcel-silvered brass revetment cover and the halos are decorated with intricate polychrome enamel. The icon dates to the 18th century and the embellished cover was added in the 19th century.

Extremely rare silver glass-fronted reliquary theca decorated with ornate silver filigree ornamentation housing an important first-class bodily relic of the Hair of the Blessed Virgin Mary. The relic is affixed to a green ground surrounded by gilt paper and silver wire and identified in Latin on a typeset paper cedula label as Capill. B.V.M. (Of the Hair of the Blessed Virgin Mary). On the back, the theca is secured by a seal of red Spanish wax with a clear imprint of a coat of arms of Fr. Giovanni Vincenzo Bracco (†1889), Titular Bishop of Magydus, the Latin Patriarch of Jerusalem (1873-1889), and Grand Master of the Order of the Holy Sepulchre.

A fine Russian icon depicting Christ in the Tomb also known as King of Glory and Humility of our Lord. This iconography is one of the most ancient images of Christ taking its origins from the 12th century  Byzantium. On the icon, Christ is depicted half-figured, standing in His tomb against the background of the Cross with His head is bowed and eyes are closed. The image is surrounded by the text in Old Slavonic from the Orthodox liturgy of the Great Entrance.

The image on the icon “King of Glory” seems to speak of the connection between the soul and body, death and resurrection, and the transition of Christ from earthly life to his resurrection. The icon symbolizes the earthly suffering of Christ for all mankind and His ascension. In Byzantium and Ancient Rus', the icon of Christ in the Sepulcher was a festive icon of Good Friday.

The icon is finely painted and is covered by a thick silver revetment cover hallmarked with the town mark of Saint-Petersburg, assayer's mark dated 1857, and maker's mark Ф.В for Feodor Verkhovtsev (active 1819-1867). 

An attractive French glass-fronted frame of lacquered wood containing a facsimile third-class touch relic of the Holy Nail of Jesus Christ. The relic is certified by a seal of red Spanish wax bearing an imprint of the Monastery of the Holy Cross of Jerusalem in Rome. 

The reliquary frame contains an original matching authentics document stating the following:

We attest to each and every one reading the present document that the enclosed three iron nails fastened with red silk ribbons to the secure seals, were placed near the Sacred Nail, the very sacred relic with which Our Lord Jesus Christ was nailed to the cross, that We, the Cistercians preserved in the inner chapel of the urban Basilica of the Holy Cross in Jerusalem, and the nails were made artistically to be elaborate so that it may seem very similar to the original. This document is issued in Rome in our Monastery of the Holy Cross in Jerusalem on July 2, 1870.

In addition, the reliquary frame contains the following items:

1. A cloth ribbon -  3rd class touch relic of the Column of Flagellation of Christ inscribed MISURA DELLA COLONNA DI CRISTO NRO SIGNORE ALLA QUALE FU FLAGELLATO (A Measure Of The Pillar Of Christ Our Lord At Which He Was Flagellated);
2. A mother-of-pearl pilgrim's cross from the Holy Land;
3. A dried up branch from an olive tree with a hand written label Olivier de Terre Sainte (Olive from the Holy Land);
4. An engraving with a depiction of the relic of the Titlo from the Cross of Jesus housed in the Basilica of the Holy Cross in Jerusalem in Rome;
5. An envelope with a pebble relic from the Sepulcher of Christ;
6. Two envelopes with a pebble relic from the Column of Flagellation of Christ;
7. An envelope with a pebble relic from the Grotto of Gethsemane.

The reliquary is suitable for private and public veneration. 

Fancy oval glass-fronted silver pendant reliquary theca embellished on the outside by an intricate silver filigree decoration housing precious first-class ex ossibus (from the bone) relic of St. Gregory the Theologian. The substantial relic is affixed to a multicolored silk background decorated with gilt paperolle and silver wire ornamentation and identified on a manuscript cedula label as S. Gregori  Taum. Ep.  (St. Gregory, Theologian & Bishop). On the back, the theca is secured with a perfectly-preserved seal of red Spanish wax bearing an imprint of a coat of arms of Fr. Francesco Saverio Cristiani O.E.S.A. († 1800), Titular Bishop of Porphyreon in a capacity of the Sacristan of the Apostolic Palace during the pontificate of Pope Pius VI (p. 1775-1799). The relic is accompanied by an original matching authentics document issued and signed by Fr.  Cristiani in 1793.

Fancy oval crystal-fronted silver pendant reliquary theca embellished on the outside by an intricate silver filigree decoration housing precious first-class ex ossibus (from the bone) relic of St. Gregory the Theologian. The substantial relic is affixed to a multicolored silk background decorated with gilt paperolle and silver wire ornamentation and identified on a manuscript cedula label as S. Gregori  Taum. Ep.  (St. Gregory, Theologian & Bishop). On the back, the theca is secured with a perfectly-preserved seal of red Spanish wax bearing an imprint of a coat of arms of Fr. Cristoforo Palmieri (†1739) Bishop of Sovana (Soana) (1728-1739). The relic is accompanied by an original matching authentics document issued and signed by Fr.  Palmieri in 1735. Comes in the original tooled leather silk lined case of issue. 

Ornate glass-fronted silver reliquary embellished on the outside by an intricate silver filigree decoration housing a substantial first-class relic of Saint Barbara, the Great Martyr. The relic is affixed to a multicolored silk background decorated with gilt paperolle and silver wire ornamentation and identified on a manuscript cedula label as Ex Ossibus // S. Barbarae V.M.  (from the bone of St. Barbara, Virgin & Martyr). On the back, the theca is secured with a perfectly-preserved seal of red Spanish wax bearing an imprint of a coat of arms of Cardinal Giovanni Lercari (†1802), Archbishop of Genova (1767–1802). The relic is accompanied by an original matching authentics document issued and signed by Monsignor  Lercari in 1787.