Oval glass-fronted brass reliquary theca housing six relics of the Blessed Virgin Mary: of the Vestment, of the Veil, of the Sepulcher, of the Milk, of the House, and of the Grotto of the Nativity. The relics are affixed on a background of silk, surrounded by hand-painted folliage ornamentation and identified in Latin on a manuscript cedulae labels as De Sacro Antro // Lacte // De Velo // Veste // Sepulcro // B.V.M. (the Blessed Virgin Mary: of the Vestment, of the Veil, of the Sepulcher, of the Milk, of the House, and of the Grotto of the Nativity). The reliquary is secured by the perfectly preserved seal of red Spanish wax with a coat of arms of Monsignor Carlo Roberti de’ Vittori (†1673) Cardinal-Priest of Titular Basilica of Saint Mary of the Altar in Heaven in Rome.

A small silver cruciform reliquary pendant decorated with intricate filigree and housing particles from the Wood from the True Cross of Jesus Christ. The unusually substantial relics are displayed in a cruciform shape and are identified in Latin on a manuscript cedula label as SS Crucis DNJC (of the Most Holy Cross of Our Lord Jesus Christ). The reliquary is secured by an undisturbed seal of red Spanish wax with an imprint of a coat of arms of Monsignor Ferdinando Minucci (†1856), Archbishop of Florence, Italy (1828-1856). 

An attractive oval glass-sided silver pendant reliquary theca housing precious relics of the Wood from the True Cross of Jesus Christ. The relics are displayed in a cruciform shape on the ground of bi-color silk surrounded by gilt paperole and silver wire ornamentation.  On the back, under a protective cap, the reliquary is secured with a seal of red Spanish wax bearing an imprint with a coat of arms of Fr. Bishop Paolo Lamberto D’Allègre (†1821), Bishop of Pavia, Italy (1807-1821). The relic is accompanied by the original matching authentics document issued by Bishop D’Allègre in 1814.

Saint Seraphim of Sarov (Серафим Саровский) († 1833), is one of the most renowned Russian monks and mystics in the Orthodox Church who was canonized in 1903. He is generally considered the greatest of the 19th century startsy (elders) and, arguably, the first. He is remembered for extending the monastic teachings of contemplation, theoria and self-denial to the layperson, and taught that the purpose of the Christian life was to acquire the Holy Spirit. He was canonized in 1903 in Sarov at the ceremony attended by the Tsar and senior members of the Russian Imperial family. 

Saint Seaphim is depicted in front of the Monastery of the Sarov-Dormition of the Mother of God where he lived from 1778 to 1833. On the back, the icon bears a stamp from the famous icon shop of Ivan Silin in Moscow. 

Our Lady of Kazan is a holy icon of the highest stature within the Russian Orthodox Church and is considered a palladium of Russia for centuries until its theft and likely destruction in 1904. The icon represents the Virgin Mary as the protector and patroness of the city of Kazan. It is a close-up variant of the Hodegetria (Directress) style, it is noted mainly for the Child standing, with the Virgin chest length. The Kazan icons are traditionally small, following the original. The Kazan icon was very popular in Russia, especially as a wedding gift, and many copies were made in the design of the original. Two major Kazan Cathedrals, in Moscow and St. Petersburg, are consecrated to Our Lady of Kazan, as are numerous churches throughout the land. Her feast days are July 21 and November 4. 

Saint Seraphim of Sarov (Серафим Саровский) († 1833), is one of the most renowned Russian monks and mystics in the Orthodox Church who was canonized in 1903. He is generally considered the greatest of the 19th century startsy (elders) and, arguably, the first. He is remembered for extending the monastic teachings of contemplation, theoria and self-denial to the layperson, and taught that the purpose of the Christian life was to acquire the Holy Spirit. He was canonized in 1903 in Sarov at the ceremony attended by the Tsar and senior members of the Russian Imperial family. 

The Dormition of the Most Holy Mother of God is a Great Feast of the Eastern Orthodox Church (corresponding to the Western feast of the Assumption) which commemorates the "falling asleep" or death of the Mother of God, and her bodily resurrection before being taken up into Heaven. The Theotokos is depicted lying on a bier, surrounded by the twelve Apostles. At center, Jesus Christ is shown in a golden mandorla, swaddling the soul of the Virgin Mary. To either side of him are depicted the Hieromartyrs Dionysius the Areopagite and Ignatius the God-Bearer who, according to sacred tradition, are responsible for transmitting the account of the dormition. The buildings on the background represent Mary's house and the Temple of Jerusalem.

Christ Pantocrator refers to a specific depiction of Christ. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantocrator is a compound word formed from the Greek words for "all" and the noun "strength" (κρατος). This is often understood in terms of potential power, i.e., the ability to do anything, omnipotence. The iconic image of Christ Pantocrator was one of the first images of Christ developed in the Early Christian Church and remained a central icon of the Eastern Orthodox Church. Christ is depicted half-length, holding the Gospels in his left hand and making the blessing gesture with his right. The Gospels are opened on John 13: 24 “A new command I give you: Love one another.”

The gilt silver cover is hallmarked with Moscow 84 zolotniks (875/1000) silver purity mark dating 1900, and MM maker's mark for a silversmith Mikhail Maslov.

Small oval glass-fronted silver pendant reliquary theca housing a precious relic of the Veil of the Blessed Virgin Mary.  The relic is affixed to a ground of red-colored silk, surrounded by silver wire ornamentation and identified in Latin on a manuscript cedula label as Ex Velo B.M.V. (of the Veil of the Blessed Virgin Mary). On the back, under a protective cap, the theca is secured with a seal of red Spanish wax bearing an imprint of a coat of arms of Fr. Luigi Landi-Vittorj (†1867), Bishop of Assisi, Italy (1844–1867).

Christ Pantocrator refers to a specific depiction of Christ. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantocrator is a compound word formed from the Greek words for "all" and the noun "strength" (κρατος). This is often understood in terms of potential power, i.e., the ability to do anything, omnipotence. The iconic image of Christ Pantocrator was one of the first images of Christ developed in the Early Christian Church and remained a central icon of the Eastern Orthodox Church. 

Christ is depicted half-length, holding the Gospels in his left hand and making the blessing gesture with his right. The book of Gospels is opened on Matthew 11:28 “Come unto me, all ye that labor and are heavy laden, and I will give you rest.”