Редкий православный серебряный мощевик-реликварий в форме наперсного креста, украшенный на лицевой стороне искусно выполненной позолоченной и черненой сценой Распятия, по бокам которой изображены Пресвятая Богородица и святой Иоанн Богослов, а сверху - Святой Дух в виде голубя. Внутри мощевика хранятся мощи четырех значимых православных святых: святого великомученика Димитрия Солунского, святого Петра, митрополита Московского, святого мученика Прокопия Скифопольского и преподобного Ефрема Новоторжского, основателя Борисоглебского монастыря. На оборотной стороне мощевика надписи на старославянском языке: МОЩИ СВЯ: ПЕТРА МИТРОПОЛИ: (Мощи святого Петра, митрополита [Московского]) / МОЩИ СВЯ МУЧЕ ДМИТРIЯ (Мощи святого мученика Димитрия) / МОЩ: СВЯ МУЧ ПРОКОПIЯ (Мощи святого мученика Прокопия) / МОЩИ ПРЕПО: ЕФРЕМ: НОВОТОРЖСКАГО (Мощи преподобного Ефрема Новоторжского). Как лицевая, так и оборотная стороны мощевика имеют московское пробирное клеймо, и дату на оборотной стороне — 184?.

Русский православный наперсный крест из массивного серебра с частичной позолотой, искусно украшенный с обеих сторон чернением с изображением Распятия, окруженного другими сценами Страстей Христовых. По бокам креста выгравирована надпись на сокращенном старославянском языке: «Азъ [бо язвы] Г[оспо]да Ии[су]са [на теле моем] ношу» («Я ношу на теле моем язвы Господа Иисуса» (Галатам 6:17)). Редкость такого высокого качества исполнения и богатства декора делает этот предмет глубоко личным для православного верующего.

Christ Pantocrator is one of the most common subjects in Russian iconography, and its iconography follows a traditional pattern. In these icons, Christ is depicted as a powerful and majestic figure, with his right hand raised in blessing and his left hand holding an open book of the Gospels. The term "Pantocrator" means "Almighty" or "Ruler of All," and the image of Christ in this role conveys his power and authority as the divine judge and ruler of the world. The icon portrays Christ with a stern expression, indicating his righteous judgment and the seriousness of his message. The icon's composition features Christ's head and shoulders in the center of the image, with his body slightly turned to the right. He is shown wearing a red tunic and blue mantle, with his long hair and beard flowing around his face. The Gospels are opened on Matthew 11:28 “Come unto me, all ye that labor and are heavy laden, and I will give you rest.”

Overall, the iconography of Christ Pantocrator is a powerful and striking representation of Christ's authority and judgment and a reminder of the spiritual power and majesty of the Christian faith. 

Our Lady of Kazan is a holy icon of the highest stature within the Russian Orthodox Church and is considered a palladium of Russia for centuries until its theft and likely destruction in 1904. The icon represents the Virgin Mary as the protector and patroness of the city of Kazan. It is a close-up variant of the Hodegetria (Directress) style, it is noted mainly for the Child standing, with the Virgin chest length. The Kazan icons are traditionally small, following the original. The Kazan icon was very popular in Russia, especially as a wedding gift, and many copies were made in the design of the original. Two major Kazan Cathedrals, in Moscow and St. Petersburg, are consecrated to Our Lady of Kazan, as are numerous churches throughout the land. Her feast days are July 21 and November 4. 

Our Lady of the Sign is one of the most beloved Russian miracle-working icons of Theotokos. The icon depicts Her during the Annunciation at the moment of saying, "May it be done to me according to your word." (Luke 1:38). The Virgin Mary is depicted frontally half-length, with her hands raised in a praying position, and the Child Jesus within a round aureole upon her breast representing him at the moment of his conception. The term Virgin of the Sign is a reference to the prophecy of Isaiah 7:14: "Therefore the Lord himself shall give you a sign; Behold, a virgin shall conceive, and bear a son, and shall call his name Immanuel."

Mother of God, Joy to All Who Sorrow of Moscow is the name of a famous wonderworking Russian Orthodox icon. The icon dates to a miracle that occurred on October 24, 1688, when a woman named Euphemia received healing from sickness after obeying a voice telling her to find this icon and have the priest celebrate a prayer with the blessing of water. The design of this icon depicts the Mother of God, depicted full-figured, standing with her Son in Heaven and God the Father above her in the clouds. Along both sides of the icon, framing the Mother of God, depicted are many suppliants asking for her intercession. The tenderness and kindness of a loving mother are evident in her face as She stands in paradise and yet among us.