Large crystal-fronted silver theca dating to the 18th century and housing relics of the Blessed Virgin Mary, Evangelist, and the Holy Family, centered around a Passion Relic of the Purple Robe of  Christ. The relics are affixed to a silk background decorated by the gilt paperolle ornamentation and identified on a manuscript cedulae labels:

• De Veste Purp. D.N.J.C. – Of the Purple Robe of Our Lord Jesus Christ
• De Velo B.M.V. – of the Veil of the Blessed Virgin Mary
• S. Anne M.M.V – St. Anne, Mother of the [Blessed] Virgin Mary
• S. Gio: Evang – St. John the Evangelist
• De Pallio S. Joseph SP. B.M.V. – of the Coat of St. Joseph, Husband of the Blessed Virgin Mary
• S. Gio: Batta – St. John the Baptist
• S. Joach. P. B.M.V. – St. Joachim, Father of the Blessed Virgin Mary

On the back, the theca is secured by a seal of red Spanish wax with a faint imprint of a Roman Catholic Bishop. The reliquary comes with an antique cloth pouch with an embroidered image of the Sacred Heart of Jesus.

Our Lady of Kazan is a holy icon of the highest stature within the Russian Orthodox Church. It is considered a palladium of Russia for centuries until its theft and likely destruction in 1904. The icon represents the Virgin Mary as the protector and patroness of the city of Kazan. It is a close-up variant of the Hodegetria (Directress) style; it is noted mainly for the Child standing, with the Virgin chest length. The Kazan icons are traditionally small, following the original. The Kazan icon was very popular in Russia, especially as a wedding gift, and many copies were made in the design of the original. In Moscow and St. Petersburg, two major Kazan Cathedrals are consecrated to Our Lady of Kazan, as are numerous churches throughout the land. Her feast days are July 21 and November 4. 

Christ Pantocrator refers to a specific depiction of Christ. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantocrator is a compound word formed from the Greek words for "all" and the noun "strength" (κρατος). This is often understood in terms of potential power, i.e., the ability to do anything, omnipotence. The iconic image of Christ Pantocrator was one of the first images of Christ developed in the Early Christian Church and remained a central icon of the Eastern Orthodox Church. Christ is depicted half-length, holding the Gospels in his left hand and making the blessing gesture with his right. 

The Gospels are opened on Matthew 11:28 “Come unto me, all ye that labor and are heavy laden, and I will give you rest.”

Christ Pantocrator refers to a specific depiction of Christ. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantocrator is a compound word formed from the Greek words for "all" and the noun "strength" (κρατος). This is often understood in terms of potential power, i.e., the ability to do anything, omnipotence. The iconic image of Christ Pantocrator was one of the first images of Christ developed in the Early Christian Church and remained a central icon of the Eastern Orthodox Church. Christ is depicted half-length, holding the Gospels in his left hand and making the blessing gesture with his right. 

The Gospels are opened on Matthew 11:28 “Come unto me, all ye that labor and are heavy laden, and I will give you rest.”

Saint John the Baptist was a Jewish itinerant preacher in the early first century AD who is revered as a major religious figure in Christianity, Islam, and other faiths. He is called a prophet by all of these traditions and is honored as a saint in many Christian traditions. The Orthodox faithful believe that John was the last of the Old Testament prophets, thus serving as a bridge between that period of revelation and the New Covenant. They also teach that, following his death, John descended into Hades and there once more preached that Jesus the Messiah was coming, so he was the Forerunner of Christ in death as he had been in life. Eastern Orthodox churches will often have an icon of St. John the Baptist in a place of honor on the iconostasis, and he is frequently mentioned during the Divine Services. Every Tuesday throughout the year is dedicated to his memory.

Mother of God, Joy of All Who Sorrow of Moscow is the name of a popular wonderworking Russian Orthodox icon. The icon dates to a miracle that occurred on October 24, 1688, when a woman named Euphemia received healing from sickness after obeying a voice telling her to find this icon and have the priest celebrate a prayer with the blessing of water. The design of this icon depicts the Mother of God, depicted full-figured standing with her Son in Heaven and God the Father above her in the clouds. Along both sides of the icon, framing the Mother of God, depicted are many suppliants asking for her intercession. The tenderness and kindness of a loving mother are evident in her face as She stands in paradise and yet among us.

The Annunciation to the Blessed Virgin Mary, is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation.

The icon depicts the Miracle of Saint Michael the Archangel teaching the twin brothers Saints Florus and Laurus how to control horses and understand their language. The center figure at the upper part of the icon depicts the Archangel Michael standing with his arms raised flanked by Saints Florus and Laurus. The bottom part of the icon is depicting three Cappadocian grooms Speusippus, Eleusippus, and Meleusippus driving a herd out to pasture. Saints Florus and St Laurus were worshipped in Russia as the patron saints of horses. The Russian Orthodox Church commemorates the two brothers on 31 August, when horses were traditionally decorated with garlands of flowers and even blessed in special church services held in their honor.

Our Lady of Smolensk is the name of an ancient miracle working icon and one of the most highly venerated icons in Russia. According to tradition, after the fall of Constantinople, the original icon painted by St. Luke surfaced in Russia, where it was placed in the Assumption Cathedral in Smolensk and therefore referred to as Our Lady of Smolensk. The original icon, dated by art historians to the 11th century, is now believed to have been destroyed by fire during the German occupation of Smolensk in 1941, but a great number of copies were made throughout the century, some of considerable historical and artistic value of their own.

The icon is depicting the Crucified Christ flanked on the left side with the mourning Virgin Mary and St. Martha and on the right side with St. John the Theologian and St. Martyr Longinus the Centurion.