Impressive and icon depicts finely painted image of St. Nicholas the Wonderworker and Bishop of Myra flanked by the Virgin Mary and Christ. Borders with four additional saints - the Guardian Angel, St. Savva of Serbia, St. Bucolus, Bishop of Smyrna, and St. Martyr Aquilina. Mounted with silver oklad profusely decorated with chased scrolled foliate. The icon comes in a custom presentation case.

An attractive oval glass-fronted silver reliquary theca housing sizable particle relics of the wood from the True Cross of Jesus Christ. The relics are displayed in a cruciform shape surrounded by silver wire ornamentation and identified in Latin on a manuscript cedula label as Ex Lingno SS. Crucis D.N.J. (of the wood from the Cross of our Lord Jesus [Christ]).  On the back, the reliquary is secured with a seal of red Spanish wax bearing an imprint with a coat of arms of Cardinal Antonio Ligi-Bussi O.F.M. Conv. (born 6 Dec 1799, died 9 Sep 1862), Titular Archbishop of Iconium and Vicegerent (auxiliary Bishop) of the Diocese of Rome, Italy (1862). The relic is accompanied by the original matching authentics document issued by Monsignor Ligi-Bussi in 1862.

Large oval glass-fronted silver reliquary theca housing the first-class ex ossibus (of the bone) relics of Martyr Saints Protus and Hyacinth. The relics are affixed to a red silk ground surrounded by gilt paperolle ornamentation and identified in Latin on a  manuscript cedulae labels as S. Prothi M. //S. Hiacynt. M. ( Saint Protus, Martyr // Saint Hyacinth, Martyr). On the back, the theca is secured with a perfectly preserved seal of red Spanish wax bearing an imprint of a coat of arms of Fr. Francesco Saverio Cristiani O.E.S.A. († 1800), Titular Bishop of Porphyreon in a capacity of the Sacristan of the Apostolic Palace during the pontificate of Pope Pius VI (p. 1775-1799). The theca is accompanied by the original matching authentics document issued and signed by Bishop Cristiani in 1793. 

Oval glass-fronted silver reliquary theca housing the first-class ex ossibus (of the bone) relic of Saint Agatha of Sicily. The relic is affixed to a red silk ground surrounded by silver wire ornamentation and identified in Latin on a  manuscript cedula label as Ex oss. //S. Agathae V. M. (of the bone of Saint Agatha Virgin and Martyr). On the back, the theca is secured with a perfectly preserved seal of red Spanish wax bearing an imprint of a coat of arms of Cardinal Marcantonio Colonna (†1793), Archpriest of the Basilica di Santa Maria Maggiore (1763–1793) and Vicar General of the Roman Curia. The theca is accompanied by the original matching authentics document issued and signed by Monsignor Colonna in 1784. 

Small round glass-fronted silver reliquary theca housing the first-class ex ossibus (of the bone) relic of Saint Elizabeth of Hungary. The relic is affixed to a red silk ground surrounded by silver wire ornamentation and identified in Latin on a  manuscript cedula label as S. Elisabethae Vid. Regis. (Saint Elizabeth, Widow and Queen). On the back, the theca is secured with a perfectly preserved seal of red Spanish wax bearing an imprint of a coat of arms of Monsignor Lucido Maria Parocchi (†1903), Cardinal-Priest of San Lorenzo in Damaso (1899–1903), Chamberlain of Apostolic Chamber (1839-1854), and Vicar General of Rome (1884–1899). The theca is accompanied by the original matching authentics document issued and signed by Cardinal Parocchi in 1885. 

Our Lady of Iveron is the Eastern Orthodox icon of the Virgin Mary which, according to the Sacred Tradition, was painted by Luke the Evangelist. The icon is referred to as "Wonderworking" meaning that numerous miracles have been attributed to the intercession of the Theotokos by persons praying before it. The original of this image is found in the Georgian Iveron monastery on Mount Athos in Greece, where it is believed to have been since the year 999.

Our Lady of the ​Inexhaustible Chalice is a wonderworking icon of the Mother of God which revealed itself in Serpukhov, Russia in 1878. The icon is venerated in the Russian Orthodox Church and has become known for healing those who suffer from alcoholism, drug abuse and other forms of addiction.​ ​The icon depicts the ​the Virgin Mary with hands raised in the orans position, similar to icons of Our Lady of the Sign. The Christ Child is shown standing in a chalice with both hands raised in blessing.

Christ Pantocrator is one of the most common subjects in Russian iconography, and its iconography follows a traditional pattern. In these icons, Christ is depicted as a powerful and majestic figure, with his right hand raised in blessing and his left hand holding an open book of the Gospels. The term "Pantocrator" means "Almighty" or "Ruler of All," and the image of Christ in this role conveys his power and authority as the divine judge and ruler of the world. The icon portrays Christ with a stern expression, indicating his righteous judgment and the seriousness of his message. The icon's composition features Christ's head and shoulders in the center of the image, with his body slightly turned to the right. He is shown wearing a red tunic and blue mantle, with his long hair and beard flowing around his face. The Gospels are opened on Matthew 11:28 “Come unto me, all ye that labor and are heavy laden, and I will give you rest.” Overall, the iconography of Christ Pantocrator is a powerful and striking representation of Christ's authority and judgment and a reminder of the spiritual power and majesty of the Christian faith.

In Eastern Orthodox art, the Deisis (from the Greek for "prayer" or "supplication") is a traditional iconic representation of Christ flanked by the Virgin Mary and St. John the Baptist, and sometimes other saints and angels. Mary and John, and any other figures, are shown facing Christ with their hands raised in supplication on behalf of humanity. The presence of Mary and John, and other figures, is one of the differences with the Western Christ in Majesty, where the Four Evangelists and/or their symbols are more commonly included around Christ. This icon, most likely, came from a private home's or small chapel's abridged iconostasis that consisted either of three (abridged row) or more icons.

Christ Pantocrator is one of the most common subjects in Russian iconography, and its iconography follows a traditional pattern. In these icons, Christ is depicted as a powerful and majestic figure, with his right hand raised in blessing and his left hand holding an open book of the Gospels. The term "Pantocrator" means "Almighty" or "Ruler of All," and the image of Christ in this role conveys his power and authority as the divine judge and ruler of the world. The icon portrays Christ with a stern expression, indicating his righteous judgment and the seriousness of his message. The icon's composition features Christ's head and shoulders in the center of the image, with his body slightly turned to the right. He is shown wearing a red tunic and blue mantle, with his long hair and beard flowing around his face. The Gospels are opened on Matthew 11:28 “Come unto me, all ye that labor and are heavy laden, and I will give you rest.” Overall, the iconography of Christ Pantocrator is a powerful and striking representation of Christ's authority and judgment and a reminder of the spiritual power and majesty of the Christian faith.

The saints on the borders are St. Antony and St. Paraskeve