The icon is depicting the Virgin Mary in Heaven being crowned by Christ and God the Father with a dove above them comprisit the New Testament Trinity. 

St. Theodora Martyr and St. Gabriel the Archangel are depicted full figured standing under the miracleworking icon of Our Lady of Kazan.

This large icon depicts the Savior Enthroned flanked by St Nicholas of Myra and St John the Baptist. 

The Holy Archangel Michael is one of the most celebrated of the Angels and bodiless powers; he is called the Archistrategos, or chief commander, of all the bodiless powers. According to Holy Scripture and Tradition, he has interceded for humanity multiple times and continues to serve as the Defender of the Faith. Saint Michael is most often invoked for protection from invasion by enemies and from civil war, and for the defeat of adversaries on the field of battle.

Saint Eudokia was a Samarian woman who lived in Heliopolis of Phoenicia (present day Baalbek, Lebanon). She was a very beautiful pagan,  and garnered her wealth by attracting wealthy lovers.

Eudokia learned about Christianity from a monk by the name of Germanos and asked him if she, too, could be saved from Judgment. Germanos instructed her to remain alone in her chamber for one week, fasting and praying. Eudokia followed his instructions, and at the end of the week, she had a vision about the Archangel Michael that assured her of Christ's love for all people.  At age 30, Eudokia commissioned the building of a monastery near Heliopolis, and dispensed much of her wealth in various charitable projects. She rejected all of her suitors, and when one persistent suitor named Philostratos was struck down because of his persistence, Eudokia prayed for him until he recovered and then converted to Christianity. Eudokia persuaded many pagans to convert to Christianity and, by her actions, angered Roman officials who had her beheaded on in 107 AD.

The icon is depicting seven selected Orthodox Saints: St. Andrew the Apostle, St. Qeen Helena, St. Nicholas of Myra, St. Maria, St. Stephen the Protomartyr, St. John the Theologian and St. Paraskevi the Friday surmounted by vignette images depicting the Dormition of the Most Holy Mother of God and Miracle of St George Slaying the Dragon. 

The Protection (Pokrov) of the Most Holy Mother of God is one of the most beloved Feast days on the Orthodox calendar commemorated on October 1 celebrating the appearance of the Virgin Mary in Constantinople in the 10th century at the time when the people in the city were threatened by the Barbarian invasion. Saint Andrew, the Holy Fool with his disciple Saint Epiphanius, and a group of people, saw the Mother of God, Saint John the Baptist, and several other Saints and Angels during a vigil in the Church of Blachernae, nearby the city gates. The Mother of God approached the center of the church, knelt down and remained in prayer for a long time with her face drowned in tears. Then she took her veil off and spread it over the people as a sign of protection. After the appearance of the Mother of God, the danger was averted and the city was spared from bloodshed and suffering.  

On the icon, the Theotokos is depicted standing in Orans position, holding her veil in outstretched arms, flanked by blessing Christ and St John the Baptist. Below are Saint Romanos the Melodist, Saint Epiphanius and Saint Andrew the Fool, St Emperor Constantine and his mother St Helena.

Our Lady of Iveron is the Eastern Orthodox icon of Virgin Mary which, according to the Sacred Tradition, was painted by Luke the Evangelist. The icon is referred to as "Wonderworking" meaning that numerous miracles have been attributed to the intercession of the Theotokos by persons praying before it. The original of this image is found in the Georgian Iveron monastery on Mount Athos in Greece, where it is believed to have been since the year 999.

The Great Martyr Saint George is depicted as a mounted soldier striking with a lance a dragon beneath his horse. On the right is the town of Silene with a princess Elisaba, whose fate is in George’s hands, standing at the gate. The scene is titled in Old Slavonic as  "Saint George the Victorybearer." The oldest icons depicting Saint George as a horseman killing the dragon date to the 12th century. The motif becomes popular especially in Georgian and Russian tradition, but it is also found in Greek icons. 

The icon is depictiung three Orthodox saints pictured frontally full-figured: St Peter Mitropolitain of Moscow, flanked by St John Martyr and St Olga Princess. 

Our Lady of Vladimir is one of the most highly venerated Orthodox icons and a typical example of Byzantine iconography. The original 12th century icon survived and is displayed in the Tretyakov Gallery museum in Moscow. Even more than most famous icons, the original has been copied repeatedly for centuries and many copies now have considerable artistic and religious significance of their own. The icon is a version of the Eleusa (Tenderness) type, with the Christ child snuggling up to his mother's cheek. The venerated image was used in celebration of coronations of Tsars, elections of Patriarchs, and other important ceremonies of the Russian state. Her feast day is June 3.

The icon is depicting Christ Enthroned flanked by his mother, the Virgin Mary and Saint John the Baptist forming the Orthodox Deisis. 

The Great Martyr Saint George is depicted as a mounted soldier striking with a lance a dragon beneath his horse. On the right is the town of Silene with a princess Elisaba, whose fate is in George’s hands, standing at the gate. The scene is titled in Old Slavonic as  "Saint George the Victorybearer." The oldest icons depicting Saint George as a horseman killing the dragon date to the 12th century. The motif becomes popular especially in Georgian and Russian tradition, but it is also found in Greek icons.

Christ Pantocrator refers to a specific depiction of Christ. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantocrator is a compound word formed from the Greek words for "all" and the noun "strength" (κρατος). This is often understood in terms of potential power; i.e., ability to do anything, omnipotence. The iconic image of Christ Pantocrator was one of the first images of Christ developed in the Early Christian Church and remains a central icon of the Eastern Orthodox Church. In the half-length image, Christ holds the Gospels in his left hand and makes the gesture of blessing with his right. The Gospels are opened on Matthew 11:28 “Come unto me, all ye that labour and are heavy laden, and I will give you rest.”

The Protection (Pokrov) of the Most Holy Mother of God is one of the most beloved Feast days on the Orthodox calendar commemorated on October 1 celebrating the appearance of the Virgin Mary in Constantinople in the 10th century at the time when the people in the city were threatened by the Barbarian invasion. Saint Andrew, the Holy Fool with his disciple Saint Epiphanius, and a group of people, saw the Mother of God, Saint John the Baptist, and several other Saints and Angels during a vigil in the Church of Blachernae, nearby the city gates. The Mother of God approached the center of the church, knelt down and remained in prayer for a long time with her face drowned in tears. Then she took her veil off and spread it over the people as a sign of protection. After the appearance of the Mother of God, the danger was averted and the city was spared from bloodshed and suffering.  On the icon, the Theotokos is depicted standing on a cloud in aureola of green light holding her veil .

Saint Nicholas of Myra ( Άγιος Νικόλαος, Николай Чудотворец) (270 - 343), was a historic 4th-century Saint and Greek Bishop of Myra. Because of the many miracles attributed to his intercession, he is also known as Nicholas the Wonderworker. He had a reputation for secret gift-giving, such as putting coins in the shoes of those who left them out for him, and thus became the model for Santa Claus. His reputation evolved among the faithful, as was common for early Christian saints.

The icon depicts realistically rendered Christ as Pantocrator ( "Almighty" or "All-powerful") - pictured half-figured blessing with his right hand while holding an Orb and a Cross in his left hand

Icon depicts three Orthodox saints painted full figured - Saint Empress Martyr Alexandra of Rome , Blessed Maria, and Russian Prince Mikhail of Tver.

The Holy Archangel Michael is one of the most celebrated of the Angels called the Archistrategos, or chief commander, of all the bodiless powers. According to the Holy Scripture and Tradition, he has interceded for humanity multiple times and continues to serve as the Defender of the Faith. Saint Michael is most often invoked for protection from invasion by enemies and from civil war, and for the defeat of adversaries on the field of battle. Saint Michael is depicted riding a red winged horse carrying the book of Gospels, the Trumpet of Judgement, the censer and a lance, with which he conquers the demon depicted on the lower right. Next to the winged demon a depiction of a city of Babylon drowning in sins.  The white semi-circle between his hands represents his covenant with God. 

Our Lady of the Sign is one of the most beloved Russian miracleworking icons of Theotokos. The icon depicts the her during the Annunciation at the moment of saying, "May it be done to me according to your word." (Luke 1:38). The Virgin Mary is depicted frontally  half-length, with her hands raised in praying position and the Child Jesus within a round aureole upon her breast representing him at the moment of his conception.  The term Virgin of the Sign is a reference to the prophecy of Isaiah 7:14: "Therefore the Lord himself shall give you a sign; Behold, a virgin shall conceive, and bear a son, and shall call his name Immanuel."

The icon is depicting five selected saints:  St. Venerable Zosima, St. Barbara the Greatmartyress, St. Basil of Caesarea (the Great), St. Claudia Martyress of Rome, and Emperor Constantine. The saints are depicted full-figured standing frontally under the images of the blessing Christ in Heavens.

The icon is a version of the Eleusa (Tenderness) type, with the Christ child snuggling up to his mother's cheek.

Mother of God, Joy of All Who Sorrow of Moscow is the name of a popular wonderworking Russian Orthodox icon dating to a miracle that occurred in 1688, when a woman named Euphymia received healing from sickness after obeying a voice telling her to find this icon and have the priest celebrate a prayer with blessing of water. The design of this icon depicts full-figured Mother of God standing in Heavens flanked by suppliants assisted by the angels and asking for her intercession while Christ is blessing her from the Above. The icon is customized by addition of four family saints in the middle field: Saint Venerable Eudokia, Saint Feodor Soldier, Saint Venerable Princess Anna, and Saint Prince Michael. 

Saint Elijah was a prophet in the northern kingdom of Israel during the reign of Ahab (9th century BC). According to the Books of Kings, Elijah defended the worship of Yahweh over that of the Phoenician god Baal, he raised the dead, brought fire down from the sky, and was taken up in a whirlwind. In the Book of Malachi, Elijah's return is prophesied "before the coming of the great and terrible day of the Lord," making him a harbinger of the Messiah. 

In Russia, Saint Nicholas the Wonderworker is often shown as Holy Hierarch Nicholas of Mozhaisk, depicting a full-length Nicholas with a sword in his right hand and a city in his left because the prayers to Saint Nicholas saved the city of Mozhaisk from the enemy attack.

Left panel from a  matching  pair of icons originally inserted into the Royal Doors of an Orthodox iconostasis and depicting the Annunciation to the Blessed Virgin Mary, the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel is shown blessing with one hand and holding a stem of lilies in the other.

The icon depicting the Miracleworking Madonna of Unburnt Thornbush has a unique iconography. The Virgin Mary with her Christ child holds the central position in this rose-shaped form that is like a Jungian mandala. The points of the eight-pointed “slava” (“Glory”) represent divine light and the Eighth day of Creation, the Day of Eternity. Eight angels in the “petals” of the rose represent the forces behind the elements of nature, the hidden powers that control the weather and relate also to the apocalyptic end of the world. The "Unburned Thornbush" icon was commonly venerated throughout Russia as a form of fire protection. It was used not only to ward off fire from a home but was also held up to stop a fire once it had begun.

Our Lady of Iveron is the Eastern Orthodox icon of Virgin Mary which, according to the Sacred Tradition, was painted by Luke the Evangelist. The icon is referred to as "Wonderworking" meaning that numerous miracles have been attributed to the intercession of the Theotokos by persons praying before it. The original of this image is found in the Georgian Iveron monastery on Mount Athos in Greece, where it is believed to have been since the year 999.

The icon is depicting St Martyress Justina of Antioch and St Joachim, the husband of Saint Anne and the father of Mary, the mother of Jesus.

The icon is depicting the Virgin Hodegetria, an iconographic depiction of the Theotokos (the Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind. The Virgin's head inclines towards the child, who raises his hand in a blessing gesture.

The icon depicts Christ as Pantocrator ( "Almighty" or "All-powerful") - pictured half-figured blessing with his right hand while holding an Orb and a Cross in his left hand.

Christ Pantocrator refers to a specific depiction of Christ. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantocrator is a compound word formed from the Greek words for "all" and the noun "strength" (κρατος). This is often understood in terms of potential power; i.e., ability to do anything, omnipotence. The iconic image of Christ Pantocrator was one of the first images of Christ developed in the Early Christian Church and remains a central icon of the Eastern Orthodox Church.

Mother of God, Joy of All Who Sorrow of Moscow is the name of a popular wonderworking Russian Orthodox icon. The icon dates to a miracle that occurred on October 24, 1688, when a woman named Euphymia received healing from sickness after obeying a voice telling her to find this icon and have the priest celebrate a prayer with blessing of water. The design of this icon depicts the Mother of God, depicted full-figured standing with her Son in Heaven and God the Father above her in the clouds. Along both sides of the icon, framing the Mother of God, depicted are suppliants  asking for her intercession assisted by angels. The tenderness and kindness of a loving mother are evident in her face as She stands in paradise and yet among us.

The icon depicts two full-figured Martyr Saints: Empress Alexandra of Rome and Alexander, Bishop of Jerusalem.

The icon depicts of the Resurrection of Christ. 

Double-sided icon in original gilt frame. One side depicting Our Lady of Kazan and the other side - St. Nicholas of Myra. 

Icon is depicting full-figured images of two Orthodox Saints (A soldier Martyr and a Female Saint) standing under Christ blessing from Heavens. 

Our Lady of Kazan, is a holy icon of the highest stature within the Russian Orthodox Church and considered a palladium of Russia for centuries, until its theft and likely destruction in 1904. The icon represents the Virgin Mary as the protector and patroness of the city of Kazan. It is a close-up variant of the Hodegetria (Directress) style, it is noted mainly for the Child standing, with the Virgin chest-length. The Kazan icons are traditionally small, following the original. The Kazan icon was very popular in Russia, especially as a wedding gift, and many copies were made in the design of the original. Two major Kazan Cathedrals, in Moscow and St. Petersburg, are consecrated to Our Lady of Kazan, as are numerous churches throughout the land. Her feast days are July 21 and November 4. 

A small figure on the left is St. Mary of Egypt. 

Saint Mary of Egypt (ca. 344 – ca. 421) lived an extremely dissolute life but was struck with remorse, and upon seeing an icon of the Virgin Mary in Jerusalem gave up the world to become an ascetic. She is revered as the patron saint of penitents, most particularly in the Eastern Orthodox, Oriental Orthodox, and Eastern Catholic churches, as well as in the Roman Catholic and Anglican churches. Patronage: Chastity (warfare against the flesh; deliverance from carnal passions); deliverance from Demons; Fever; Skin diseases; Temptations of the flesh. Her feast day is commemorated by the Church on April 1.

The icon is depicting three full-figured female saints: St. Pelagia of Antioch & St. Tais of Egypt (two repentant saints sharing the same feast day of October 8), and St. Martyress Mariana.

Our Lady of Kazan is a holy icon of the highest stature within the Russian Orthodox Church and considered a palladium of Russia for centuries, until its theft and likely destruction in 1904. The icon represents the Virgin Mary as the protector and patroness of the city of Kazan. It is a close-up variant of the Hodegetria (Directress) style, it is noted mainly for the Child standing, with the Virgin chest-length. The Kazan icons are traditionally small, following the original. The Kazan icon was very popular in Russia, especially as a wedding gift, and many copies were made in the design of the original. Two major Kazan Cathedrals, in Moscow and St. Petersburg, are consecrated to Our Lady of Kazan, as are numerous churches throughout the land. Her feast days are July 21 and November 4.

Our Lady of Kazan is a holy icon of the highest stature within the Russian Orthodox Church and considered a palladium of Russia for centuries, until its theft and likely destruction in 1904. The icon represents the Virgin Mary as the protector and patroness of the city of Kazan. It is a close-up variant of the Hodegetria (Directress) style, it is noted mainly for the Child standing, with the Virgin chest-length. The Kazan icons are traditionally small, following the original. The Kazan icon was very popular in Russia, especially as a wedding gift, and many copies were made in the design of the original. Two major Kazan Cathedrals, in Moscow and St. Petersburg, are consecrated to Our Lady of Kazan, as are numerous churches throughout the land. Her feast days are July 21 and November 4.

The miraculous icon of the Seeker of the Lost Mother of God (sometimes known as the Seeker of the Perished) became known in Russia in the 18th century and is attributed to its rescue from the damnation of a monk in Asia Minor. The name of the icon refers not only to those who are dying but to those whose souls are in danger of spiritual death. The Queen of Heaven sends down help and support for all: “Seek us who are perishing, O Most Holy Virgin, chasten us not according to our sins, but as you are merciful in your love for mankind, have pity, deliver us from hell, sickness and necessity, and save us” (Troparion, Tone 4).

The Protection (Pokrov) of the Most Holy Mother of God is one of the most beloved Feast days on the Orthodox calendar commemorated on October 1 celebrating the appearance of the Virgin Mary in Constantinople in the 10th century at the time when the people in the city were threatened by the Barbarian invasion. Saint Andrew, the Holy Fool with his disciple Saint Epiphanius, and a group of people, saw the Mother of God, Saint John the Baptist, and several other Saints and Angels during a vigil in the Church of Blachernae, nearby the city gates. The Mother of God approached the center of the church, knelt down and remained in prayer for a long time with her face drowned in tears. Then she took her veil off and spread it over the people as a sign of protection. After the appearance of the Mother of God, the danger was averted and the city was spared from bloodshed and suffering.  

The icon depicts Saint Romanos the Melodist, Saint Epiphanius and Saint Andrew the Fool with Saint Emperor Constantin and Empress Helena standing under the Mother of God in Heavens who is holding the Protective Veil over them.

Saints Shamona, Guria, and Deacon Abibus of Edessa (known in Russia as Samon, Gury, and Aviv) († ca. 322) were Christians who were martyred in Edessa, Mesopotamia under Emperor Licinius for refusal to worship the Pagan Gods. They are venerated in the Orthodox Church as Patron Saints of the Holy Matrimony and their Feast day is celebrated on November 15. The Orthodox icons depicting the Saints are traditionally gifted as a wedding present. Saint Samon is depicted as a middle-aged man with dark hair and a small beard with a cross in his hands; Saint Gury is depicted as a gray-haired elder with a long beard also holding a cross; Aviv as a young, beardless man in a deacon’s stole holding a censer.

Russian icon depicting two Orthodox Saints: Holy Martyress Vera & SaintNicephorus, Patriarch of Constantinople depicted full-figured in Provincial style and inscribed on the back in Slavonic "This icon is painted in the year of 1894". 

Saint Catherine of Alexandria, also known as Saint Catherine of the Wheel and The Great Martyr Saint Catherine is, according to tradition, a Christian saint and virgin, who was martyred in the early 4th century at the hands of the pagan emperor Maxentius. She is a patron of Unmarried girls, Aalsum; apologists; craftsmen who work with a wheel (potters, spinners); archivists; dying people; educators; girls; jurists; knife sharpeners; lawyers; librarians; libraries; Balliol College; Massey College; maidens; mechanics; millers; milliners; hat-makers; nurses; philosophers; preachers; scholars; schoolchildren; scribes; secretaries; spinsters; stenographers; students; tanners; theologians; University of Oviedo; University of Paris; haberdashers; wheelwrights; Żejtun, Malta; Żurrieq, Malta; Pagbilao, Quezon, Philippines; Carcar City, Cebu, Philippines; and Katerini, Greece.

The icon is depicting St. Martyress Vera, daughter of St. Sophia. Saint Sophia the Martyresses had her daughters: Faith (Vera), Hope (Nadezhda), and Love (Lyubov) killed during the reign of Hadrian (117–138). The imperial guards took Sophia's daughters one by one, from the oldest to the youngest and beat and tortured them to death in an attempt to force their mother to renounce her faith in Christ. Afterward, Sophia buried her daughters' bodies and remained by their graves for three days until she died herself. 

Our Lady of the Sign is one of the most beloved Russian miracleworking icons of Theotokos. The icon depicts the her during the Annunciation at the moment of saying, "May it be done to me according to your word." (Luke 1:38). The Virgin Mary is depicted frontally  half-length, with her hands raised in praying position and the Child Jesus within a round aureole upon her breast representing him at the moment of his conception.  The term Virgin of the Sign is a reference to the prophecy of Isaiah 7:14: "Therefore the Lord himself shall give you a sign; Behold, a virgin shall conceive, and bear a son, and shall call his name Immanuel."

Christ Pantocrator refers to a specific depiction of Christ. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantocrator is a compound word formed from the Greek words for "all" and the noun "strength" (κρατος). This is often understood in terms of potential power; i.e., ability to do anything, omnipotence. The iconic image of Christ Pantocrator was one of the first images of Christ developed in the Early Christian Church and remains a central icon of the Eastern Orthodox Church. In the half-length image, Christ holds the Gospels in his left hand and makes the gesture of blessing with his right.